All around the world, the Black Lives Matter movement is dominating conversations. Complex topics, such as racism, white supremacy, and the need for diverse representation are being confronted.

A few quick caveats before I continue – I’m not intending this post to be any kind expert summary. I have SO much to learn and to change in my own actions, and really, my perspective should not be centered at this time. Rather, I’m writing this as a way to hopefully keep the conversation focused on BIPOC individuals, and do what I can to amplify their voices and stories. In addition, I made the decision to focus this post on representation in the yarn community, rather than in society as a whole.

I first began considering the lack of diverse representation in the fibre community in January 2019 after the Karen Templer blog post that ignited debates about microaggressions and white fragility. As a Chinese-Canadian, I had certainly noticed before that most (popular) knitters / crocheters did not look like me, but I hadn’t bothered to think deeper about that. However, after seeing some of the discussion on the Internet, I began to think about the overwhelming representation of the fibre community as white women. A year later, this topic has come to the forefront again.

I primarily wrestled with the following question. Does systemic racism allow white designers to succeed more easily? In my opinion, probably. (1) On average, white individuals have higher levels of income than visible minorities. Financial security allows for more flexibility with ‘hobbies’ and side businesses. This is important for knitting/crochet, as the expense of certain yarns can make this activity cost-prohibitive. (2) Eurocentric features are often considered to be more attractive, which can have devastating consequences for BIPOC individuals. Since humans are visual creatures, it is easier for someone perceived to be “attractive” to create base of followers than for someone perceived to be “unattractive”. (3) The stereotype of a knitter/crocheter is an old, white lady. Individuals who fit more of these criteria will likely have an easier time finding acceptance in the community.

So what can we do? We can be vigilant of our own biases and continue to learn how to be actively anti-racist. We can uplift BIPOC makers and support them. Those with privilege can hold space for BIPOC individuals to make it easier for their voices to be heard.

In that vein, I made a quick list of BIPOC owned businesses in Canada that relate to yarn. I know this a fairly niche list, but while I’ve seen a few lists floating around of black-owned businesses to support, I wasn’t able to find any lists specific to Canada. If I am missing anyone, please let me know, and I would love to add them to this post!

BIPOC Yarn Businesses in Canada
– Cara at SpiritSong Fibre Studio (Yarn Dyer)
– Felicia at SweetGeorgia Yarns (Crochet + Knit Designer, Yarn Dyer)
– Joey at Winter’s Weather Knits (Knit Designer)
– Patricia at Pearadise Island (Project Bags)
– Sheryl at Essence of Autumn (Yarn Dyer)
– Shireen at The Blue Brick (Knit Designer, Yarn Dyer)
– Stephanie at All About Ami (Knit and Crochet Designer)
– Thamo at On the Lamb Designs (Knit Designer)

I also love the idea of Unfinished Object, a collaborative project between Grace Anna, Korina, Ocean, and Sukrita. I know that Unfinished Object itself has been quiet for the last year or so, but the personal accounts of the four women remain busy and active! Each of them are passionate advocates against racism, and I have learned a lot from them, and look up to them. I would highly recommend following them, listening to their voices, and supporting them however you can.

All over Instagram, people are posting black squares for Blackout Tuesday. Here is my square, and my promise to continue learning and advocating for equality and diverse representation in all areas of life.

Until next time, happy crafting!